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・ Gondysia consobrina
・ Gondysia similis
・ Gondysia smithii
・ Gondysia telma
・ Gondékoubé
・ Gone
・ Gone (2007 film)
・ Gone (2012 film)
・ Gone (band)
・ Gone (Beasts of Bourbon album)
・ Gone (Bebe Rexha song)
・ Gone (Buffy the Vampire Slayer)
・ Gone (Dwight Yoakam album)
・ Gone (Entwine album)
・ Gone (Ferlin Husky song)
Gone (Kanye West song)
・ Gone (Kellerman novel)
・ Gone (Kelly Clarkson song)
・ Gone (Lasgo song)
・ Gone (Mono album)
・ Gone (Montgomery Gentry song)
・ Gone (NCIS)
・ Gone (Nelly song)
・ Gone (novel series)
・ Gone (NSYNC song)
・ Gone (Pearl Jam song)
・ Gone (Switchfoot song)
・ Gone (TobyMac song)
・ Gone (U2 song)
・ Gone Abie Gone


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Gone (Kanye West song) : ウィキペディア英語版
Gone (Kanye West song)

"Gone" is a song by American hip hop artist Kanye West from his second solo studio album ''Late Registration''. Produced by West and featuring guest vocals from Cam'ron and Consequence, the track contains samples of "It's Too Late" as performed by Otis Redding.
The song gained newfound fame in 2013 when a woman quit her job and created a video featuring interpretative dance set to the song. The clip, which went viral and received millions of views, led "Gone" to debut within the top 20 of the ''Billboard'' Hot 100 eight years following its release.
==Song analysis==
"Gone" was written by Kanye West, Dexter Raymond Mills, Jr., Cameron Giles and Harold Willis. It was recorded at The Record Plant in Hollywood, California and mixed at Chalice Recording Studios in Hollywood.
The song contains some of the most elaborate orchestral arrangement expressed on ''Late Registration''. The composition begins with a vocal sample of "It's Too Late" by Otis Redding and a two-chord piano ostinato, followed by a simplistic funk beat. As the song progresses, its structure gradually morphs and develops more and more musicality. Overtime, the composition assumes ten violins, four violas and four cellos in the midst of verses, all of which initially come in brief staccato bursts that simply punctuate the rhythm but eventually expand and consolidate into a fully formed string section by the arrival of the harmonic choruses. After its third verse, the song enters an instrumental passage before returning with a fourth and final verse from West, where the rise and fall of his voice is intricately emulated by the fluctuation of the string orchestra.〔Frere-Jones, Sasha (2005-08-22). ("Overdrive" ). ''The New Yorker'' (Condé Nast Digital). Retrieved 2008-03-23.〕

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